Showing all 9 results

  • ARRI Master Prime

    ARRI MASTER PRIME

    ARRI Master Prime

    The Master Prime Lenses finally realized a cinematographer’s dream: lenses that are both fast and have an optical performance surpassing that of all standard speed primes. The Master Prime Lenses open up new creative opportunities, making shots possible that would have been considered impossible before.

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  • ARRI PRIMES T2,1

    ARRI PRIMES T2,1

    ARRI PRIMES T2,1

    In collaboration with the company ARRI company Carl Zeiss has created a line of lenses ARRI PRIMES (35 mm format). The advent of high-aperture lenses and good optical performance was made possible by new technology, the use of special glass, aspherical surfaces, improved coverage.

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  • ARRI PRIMES Super speed MKII/MKIII T1,3

    ARRI PRIMES Super speed MKII / MKIII

    ARRI PRIMES Super speed MKII/MKIII T1,3

    The famous Zeiss Super Speed Prime lenses have been in use for over 30 years, and even though they are no longer manufactured, they are still a great choice for many a project, adding experience and personality to the image. Their extremely fast aperture of T1.3, small body and flattering image rendition, make them a favorite of many cinematographers.

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  • Arri Ultra Primes LDS

    Arri Ultra Primes LDS

    Arri Ultra Primes LDS

    Ultra Prime lenses were the first to be kitted out with ARRI’s revolutionary Lens Data System (LDS). The LDS Ultra Prime series consists of Ultra Prime optical elements transplanted into specially designed housings that allow each lens to communicate with the camera electronically, easing tasks on set and providing valuable metadata for postproduction.

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  • Carl Zeiss COMPACT PRIME CP.2 SUPER SPEED PL or EF mount T1,5-2,9

    Carl Zeiss COMPACT PRIME CP.2 SUPER SPEED PL or EF mount T1,5-2,9

    Carl Zeiss COMPACT PRIME CP.2 SUPER SPEED PL or EF mount T1,5-2,9

    One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression Read More

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  • Cooke 5/i Prime Lenses, T 1.4

    Cooke 5/i Prime Lenses, T 1.4

    Cooke 5/i Prime Lenses, T 1.4

    See in the dark — with T1.4 speed and a focus ring that illuminates when you need it. External lamps are no longer necessary for the focus puller to see in the dark because this new design incorporates a simple on/off and dimmer to adjust the level of illumination desired on the aperture ring. You now have the visability you need without affecting the light coming into the camera.

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  • Cooke Panchro T2,8

    Cooke Panchro T2,8

    Cooke Panchro T2,8

    Covers S35mm Format Sensor
    T2.8 Maximum Aperture
    Color-Matches All Cooke Lenses
    /i Technology
    Linear Iris
    Cam-Style Focus
    Un-Coated Replacement Optics Available
    Lenses Marked in Feet

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  • Cooke S4 lenses

    Cooke S4 Prime Lenses

    Cooke S4 lenses

    Covers S35mm Format Sensor
    Color-Matches All Cooke Lenses
    /i Technology
    Linear Iris
    Cam-Style Focus
    Un-Coated Replacement Optics Available
    Lenses Marked in Feet

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  • Leica Summicron-C T2.0

    LEICA SUMMICRON-C T2.0

    Leica Summicron-C T2.0

    Lenses Summicron-C production company CW Sonderoptic, which is the developer of optics Leica SUMMILUX-C. Ruler Summicron-C includes six light and compact lenses Prime – 18, 25, 35, 50, 75 and 100 mm, the aperture – T2.0.

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